Just a bit of ye goode olde haircut blogging, just because I feel like it today. I mean, I could write this up also in Facebook, but I'm getting a bit tired of it, really.
But hey, so I wake up this glorious Monday morning, wondering why my alarm clock didn't go off? But hey, I am only a few minutes late, and I have plenty of time in the mornings usually. I like my morning routines, waking up slowly, reading the news, etc.
So the news isn't obviously good (because it seems that there are two nuclear-capable nations just lobbing missiles at each other), so I get distracted a bit. As I am slowly moving towards leaving for work, I check my bank app. It's payday, so I sortakinda want to just see the numbers, as it's also "pay my monthly house loan dues" -day.
Nothing. No money in, no money out.
WTF?
Slowly it dawns on me. Is it... Sunday? Could it be?
Oh darn. It is Sunday. But hey, that's good right! I'm already up early and ready to go!
(A few hours later I've squandered most of the morning by debugging some spam filter issues and ugprading things left and right...)
Although... Why didn't I notice it's Sunday? Probably because in the digital world, Sunday is pretty much the same as all other days. No more Sunday issues of newspapers - they all look the same in the app. No morning TV - Youtube and Netflix have the same stuff every day. No morning radio - it's all just Spotify. So it's a bit weird to realize that one thing that this hyperpersonalized age and information work completely deletes is the gut feeling for passage of time. In a way, it is a return to earlier times, when seasons where the defining factor in people's lives. Industrial age was very much about dividing labour into hours and weeks and months over seasons and years, but information work does not care. We expect to have our services available when we want them, not 9-16 on weekdays. Information workers are not only allowed, but sometimes encouraged to ignore "regular hours". And the further we drift from the industrial age, a day, week or month is pretty much the same as any other. Seasons we notice, years we feel passing.
I take no value judgement on whether this is good or not. But the change is likely not to halt here.
Well, I'm moving this server physically from Germany to Finland. Or to be precise, I rented new hardware, moved all my stuff, and am now in the process of rebuilding everything on the new server. So if you're reading this, at least the web servers have been moved properly.
Anyway, moving digital assets is much the same as moving in the physical world. It always takes longer than you plan, you invariably break stuff, and you are constantly amazed at the amount of cruft you have accumulated over the years and you SWEAR you're going to clean everything up AS SOON AS everything has settled, and then you basically end up putting stuff in a big box that says "TODO" and go open a beer. And when the next move comes, you open the box and you go "Oops, do I still need these?"
There's another surprising thing that is similar, and it's that configurations don't move well. It's very difficult to end up with the same order of books on the shelf in the new place, or the same configuration in the kitchen, and most likely you don't even want to. Some of the stuff you just chuck in place, and for some you spend hours contemplating what would be the best configuration be - should the sofa be in that corner? What's the best way to get lighting on my desk? Should this lamp be there?
Same with digital stuff: Web server needs to be reconfigured; your <program> config needs to change (since the original is probably from 2012 and the server config file format has changed)... When you own your furniture/server, you need to think about configuration as well. If you have a web hotel and just copy stuff from one place to another, it's almost like moving from one furnished apartment to another - no need to think, just fill the cupboards and you're done. But when you insist on renting just the walls/server, you need to configure things on your own.
And I know I don't need to. Most of the things I use my server for is, well, you could just rent the equivalent - probably better even - from a SaaS provider. And modern software development revolves around docker containers and serverless these days, so there's little to no need even professionally to know the ins and outs of servers anymore. And this tinkering can be a bit frustrating too. However, I do appreciate the fact that by tinkering on this server I gain far deeper knowledge of how the internet really works on a very concrete, even visceral, level. After all, I've always been a bead curtain kind of guy.
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Oh, and Happy New Year 2024! I think this blog can now legally buy beer even in the US...
So I tricked my brain by reserving an appointment for today at 9:10, because I know that stupid little pile of noodles will round it down to 9:00, and I won't be late. Even if the road conditions were bad, like they turned out to be.
So does this make me very smart or very stupid? đ
What slightly bothers me about a lot of the AI coverage is the discrepancy between the hype and reality. Some folks are screaming AI apocalypse, and some folks go and "I tried ChatGPT and it gave me shit answers."
Just a few years ago, we had an equivalent situation with EVs. Some folks were saying that Tesla will build all cars in the future, and others just saw a big bunch of panel gaps and range issues. That they would never replace diesel. And you couldn't charge them everywhere.
Yet almost overnight, EVs and chargers are suddenly everywhere (in richer countries). Tesla is big, yes, but not everything [in Europe & China; US is weird]. It just took the understanding on how to make them cheaper and faster to build, and then building the factories and supply chains. Fundamentally they are better vehicles, but the first implementations were buggy as hell. They are not perfect, but they have become _good enough_.
There's a ton of panel gaps and quality issues in current generative AI tools as well. But consider the speed at which they are improving - ChatGPT is nary a year old - and we don't yet know if they are hitting any sorts of limits. It again becomes a question on how to make them cheaper and better so that they can become ubiquitous. We're still pretty much at the "throwing spaghetti at the wall and seeing what sticks" -phase of AI; figuring out where and how it could and should be used.
Neither do we know what the real dangers of AI are. EVs didn't become a public menace because they are so quiet either, even though that was a big argument against them a few years back. We solved it by making all EVs make a mandatory noise.
So don't take the current AIs as representative of the future. Neither take the hyperbole. Reality, as always, is somewhere in the middle.
(Unless someone gives them weapons and makes them eat organic material and self-replicate. Then we might have some Horizon Zero Dawn -level problems.)
Myself, like an increasing number of other people, have deserted Twitter and moved on to alternative services. (Not blaming Musk though; it was a cesspool before and Musk just made it worse through his lack of understanding of human behaviour. Twitter would need a game designer as a CEO, not a manufacturing geek. Anyway, I left Twitter already on the early COVID days...) So you can find me on Bluesky as @ecyrd.com or Mastodon as @ecyrd@universeodon.com. Of these, Bluesky seems to be enjoying faster growth, though I do like Mastodon's filtering features more.
Anyway, what I find interesting is not the tool themselves, but the meta-discussion around the tools. Many people announce their escape from Twitter and almost invariably the first question on a new platform is a question of identity - what should I write about here? How will others see me? What kind of a response do I get? How do I engage? Who should I follow? How do hashtags work? It's kind of endearing to watch: like a number of puppies in a new pen, poking around all the toys. Everyone's account is the same with a single post and a few followers. Fun! Much potential! Wow!
The next post, regrettably, often is about "nice place, how do I keep this place from turning into a toxic pool of twitterisms" or "how do I deal with trolls when they eventually arrive". It feels like people escaping a war zone. People, who are sure the war will follow them wherever they go. Social PTSD, almost.
The obvious answer is to bubble up - create your own Discord and discuss there. Community will throw the misbehaving people away, and new account moderation will keep bots at bay. But there are significant advantages to having a public forum too. You find new people, new information, joy, sadness that you cannot find from inside your own bubble. Social bubbles are after all quite slow-changing and static, much like cosmic bubbles (and entirely unlike soap bubbles. But I digress.)
To me dealing with trolls is about energy consumption. Assume a trollish message written by a human costs one unit of energy for that person. Doesn't matter what the unit is, let's just call it "1 troll". Since time and human capacity are limited, I believe the best way to respond is to make sure your response costs less than "1 troll". This is why things like engaging in a debate does not ultimately work: if you spend 10 trolls worth of energy to respond to a single troll, they will respond with another 1 troll message, and you will use again 10 trolls of energy to respond. The end result is that you will spend most of your time just dealing with a single troll. God forbid if there are more!
However, if your response takes, say 0.5 trolls, the more the troll responds, the bigger the gap between yours and their time usage will be.
This is why blocking almost works - it takes only 0.1 trolls to block someone. I say almost, because the whole thing is broken due to bots - the cost of creation of a bot and making it spew out nonsense goes asymptotically towards zero. So you cannot win a manual block war against bots.
This is where the platform must take a firm stance and make sure that there is a big enough - but not too big - a cost of creating and operating a bot. Yes, I know of the big debacle around paid API access on Reddit, but in my mind, this is necessary. The key is to remember is that the cost does not have to be monetary - it can also be less tangible stuff like red tape. Make the free API option such that you have to request an API key via a fax machine or a physical letter, and it might deter the bot authors somewhat. (Don't actually do this, it was just an illustration of an idea. :-D)
But as long as there's not a bot problem, blocking hard and fast is simply the best long-term way to engage with trolls in any social media. And I say this as someone who has been on pretty much all of the social media before they were even called that, and who has probably tried all of the methods from backtrolling to completely ignoring trolls. The only thing that really works is blocking; starving them of space and time.
Jane Friedman talks about how AI is messing up with her work, since anyone can write and publish books under her name for a quick buck.
We desperately need guardrails on this landslide of misattribution and misinformation. Amazon and Goodreads, I beg you to create a way to verify authorship, or for authors to easily block fraudulent books credited to them. Do it now, do it quickly.
In the old cyberpunk dystopias, the scary stuff was always in corporate vaults, and a big fear was that a smart AI would escape the corporate computers and roam wildly on the internet. I don't recall an author who thought the dystopia would be a small company trying to turn in a quick buck by making their AI available for everyone. But here we are, and we're not at all prepared for this.
Found this from my daily AI newsletter:
For applying: In seconds, platforms like Wonsulting AI can tweak your resume and cover letter to make them a perfect match for that dream job.
So yeah, basically future job market will have AIs writing letters for other AIs to digest. I wrote about this content explosion a bit earlier, but I still find it fascinating to watch it take shape. It's like the AI output will become the lingua franca of all professional interaction.
The fun/great part of it is that it could have been a complicated, designed machine language; a general interchange format designed by people to be easily machine-consumable (there is a myriad of them already). Turns out that the best way for computers to communicate is basically just polite, verbose human language. Ha, take that, XML!
Something that passed unnoticed was the 20-year-anniversary of this blog. I started out with a very witty Finnish Hello World -like text:
The quality has been downhill ever since.
However, I'm wondering... Should I arrange some sort of a celebration? Write a memoir entry? Reminisce about "ye goode old days" of blogging when we all knew each other and had those unforgettable monthly orgies? Right now I don't really quite know how to handle this, so if I a) have any readers still left, and 2) they might have some ideas, feel free to pitch them.
A few months ago I asked for some recommendations on quick comedy series to watch, and quite a few people recommended The Good Place. I was a bit sceptical at first, since I in general shy away from religious-themed shows, but after watching a few episodes I ended pretty much binge-watching the whole series. There is just something about mixing philosophy, Molotov coctails, British parties and comedy and the series worked very well for me.
Without spoiling too much, it's great on Season 1, a bit weird on Season 2, the whole Season 3 is a bit of a letdown, and I watched Season 4 in pretty much three helpings. There are some pretty solid actors, with D'Arcy Garden shining through the entire series as Janet, a fairly omnipotent computer who is most definitely not a girl.
The final episode, "Whenever you're ready", was a somber surprise after so much weird and fun, and it feels like something of a completely different series. Instead of being pointy or funny, it was simply quite beautiful. And through comedy and absurdity, we did learn something about the characters and watched them grow, and letting them finally go was... weirdly sad and happy at the same time. I wasn't quite expecting this, but in the end it was all very okay. It's no wonder this episode grabbed both the Nebula and Hugo awards. In fact, the whole series grabbed quite a few nominations in many galas, though surprisingly few wins.
Anyway, two thumbs up. Let me know if there are other comedy series to watch. Criteria: must be a comedy, streamable, episodes 30 mins or less, English/Finnish subtitles please.
I have to apologize: I have no idea how long the RSS feeds and stuff have been broken on this site. Probably they broke while I dockerized the whole thing. Welp. They should be good now.
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Virpi Eroman "Kahenlaisii kuvia" on kuitenkin nyt sellainen levy, ettÀ pakko sitÀ on nöyrtyÀ ja kirjoittaa jotain. Oma avioeroni vuosi sitten tapahtui juurikin samaan aikaan kun tÀmÀ Eroman debyyttialbumi ilmestyi, ja kun autoni Spotify alkoi ehdotella biisejÀ tuolta levyltÀ, niin pidin sitÀ oikeastaan jo jonkinlaisena edistyneenÀ algoritmisena vittuiluna. Jaa ettÀ erosit, soitetaan sitten Eromaa. Ero, Eroma, same difference.
Mutta kuuntelin silti. Ja pikkuhiljaa huomasin, ettÀ pollajukeboksi alkoi tarjoilla niitÀ korvamatoina ihan muutenkin. SÀvelkulut kun ovat hyvinkin tarttuvat, etenkin kappaleissa Tuhat kilometrii ja Huomenta maailma.
Sitten aloin kuunnella sanoja. Ja voi pojat, ettÀ niitÀ oli. Ei tule ÀkkiseltÀÀn mieleen kovin montaa muuta suomalaista sanoittajaa, jotka osaavat kuvata ahdistuksen, masennuksen, menetyksen, kaipauksen, löytÀmisen ja uudelleen itsensÀ löytÀmisen tunteita kuin Virpi Eroma. Jokainen biisi on kuin pieni, hiottu jalokivi, josta on kivulla hiottu pois kaikki se, mikÀ ei tee siitÀ jalokiveÀ. Eroma onnistui kuvaamaan minunkin avioeron jÀlkeistÀ tunnemyrÀkkÀÀni aivan kÀsittÀmÀttömÀn osuvasti.
TiedÀttehÀn voimabiisit? Ne, mitÀ laitetaan soimaan ja sit juostaan Kuusamoon ja takaisin? No, nÀmÀ Eroman biisit ovat... sielubiisejÀ. Ne tulevat istumaan sun viereesi sohvalle ja haluavat kuulla mitÀ sulle kuuluu, eikÀ niitÀ kuunnellessa tunnu siltÀ, ettÀ on yksin. Eroma laulaa suoraan "sielusta sieluun", on ehkÀ paras kuvaus siitÀ, miltÀ minusta tuntuu. Voi olla - ja lienee jopa todennÀköistÀ - ettet koe nÀitÀ kappaleita samalla lailla, mutta kannattaa ehkÀ kokeilla. ElÀmÀssÀ pitÀÀ olla uusii kuvii.
Mutta mitÀs mitÀs - miksi tÀstÀ artistista ei ole kuultu aiemmin? Eroma itse selittÀÀ albuminsa syntytarinassa, ettÀ hÀnelle sanottiin suoraan, ettÀ hÀn on liian vanha musiikkiteollisuudelle. EikÀ hÀn ole myöskÀÀn julkkis, joten "ei kelpaa" teollisuuden raaka-aineeksi. Joten hÀn kÀytÀnnössÀ opetteli itse tuottamaan ja tekemÀÀn omat levynsÀ - sen lisÀksi, ettÀ sekÀ kirjoitti, sÀvelsi, ja soitti omat laulunsa. Pakko nostaa hattua - ja myös sen takia tehdÀ tÀmÀ pikainen arvostelu. Koska jos ei ole systeemin tukea, niin fanien pitÀÀ tukea.
TÀssÀ meillÀ siis on artisti, jolla on ÀÀni, taito ja tarina. Ehdotan tutustumaan - ja toki nappaamaan liput (ehkÀ) vuoden ainoaan konserttiin 3.5 Tapiolan Louhisalissa.
Turns out this was one of the successful ones, and after a few shenanigans involving our beloved Finnish Post Office (who - you guessed it - lost the bag in the mail), and I got mine and it was way better than I expected it to be. It's a bit heavier than you'd expect, but that's because it's designed as a camera bag, so it's got a bit more padding everywhere. And the way you can redesign the interior with movable walls is simply genius. If you've seen me, you may have had to endure some way too wordy praise on the Everyday Messenger bag I've been carrying around for years.
Well, buckle up! (ChatGPT insists that I keep using this phrase whenever I ask it to write a blog post in the "Butt Ugly Weblog style"). There's more wordy praise coming!
This winter the bag finally broke down, with the strap having eaten through the attachment point. I really like the bag and the durability otherwise, so I sent Peak Design a letter asking if they have any spare parts, so I could buy them, and fix and continue using my bag, thank you.
They responded immediately saying that "hey, no worries, just fill a warranty claim and we'll get it sorted out." I thought - a warranty claim? That sounds odd for spare parts, but no worries, I can fill whatever you want.
A bit later I get a message "Sorry about the problem you're having, we'll send you another bag."
I'm floored. The bag is frigging seven years old, and you want to send me a new one? "Yeah, we don't make the exact same one anymore, so we don't have any spare parts, so we'll send you a new bag under lifetime warranty."
I'm more floored than I was before. A lifetime warranty? Seriously? A few days later, I have a spanking, brand new backpack that fits pretty much everything I could need, and which is padded to the max so I can put whatever in it and it's quite safe. It's also filled with a ton of geeky features that make my inner nerd purr very happily, they're climate neutral, and they have a mission I can get behind on.
I know it's a big thing to say, but you know, sometimes you just find a brand that you know you want to stick with for the rest of your life. And Peak Design has just done that by winning me over with their products, quality, warranty and their customer service.
There may be better bags out there. But honestly, I don't need to look further. This thing does everything I want it to do, and I have faith in the company that makes them. So satisfied, I'll continue talking your ears off on this one.
"That was NOT my fault."
"Hello, chair."
"...the carpet!"
"You have the conn."
Just a few quotes on episode 9 "VÔx" that had me cheering, yet don't spoil anything. You'll get them when you see them.
The third season of Picard has been surpassing all of my expectations. Especially since the hapless and weak season two. The pace just keeps increasing, with plot threads seeded decades ago being tied together. The writes (all hail Matalas!) have managed to find a beautiful balance between fan service and an actual plot, and have been able to give meaningful character moments to all actors, who are really excelling in their roles.
Let's just hope that the last episode doesn't ruin everything - as it's not exactly unheard of in Star Trek, such as season two of Discovery - but still, nine out of ten episodes is a pretty darned good result already. This season has been on par, or even above, of the best two-parters in TNG, such as Birthright, Best of the Both Worlds and Chain of Command.
Really looking forward to next week.
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I tuned out after a few episodes. Monster of the week, teenage girl problems, not particularly funny even. So I left it be, and expected it to be forgotten, just like so many TV series from the 90s.
After a few years, I realized that I had probably been utterly wrong, since many of my friends started to speak about it as if they had found the entire series a defining - even a transformational - experience of their lives. So I got intrigued again, and when both Buffy and Angel became available on direct streaming, I started rewatching them. Then they left the streaming service (Netflix IIRC), so I had to borrow them from the library, which was a chore, and then I was finally able them both when they became available on Disney Plus.
It's a total of about 189 hours of watching, if I counted correctly. It's not something you can easily do these days, with the kids and all, but turns out you can enjoy them quite well while cooking. Just flip the burger during the fight scenes - you won't miss much. All the interesting stuff happens between the fights anyway, since at its core both series were about the interplay between the characters and the big plot was just a backdrop and an interesting reason to throw crap on the character's faces.
I'm now old, so I wouldn't call the series transformational. Entertaining, yes; thought-provoking; sure. Silly? On occasion. But I can certainly see how watching these in my late twenties would've impacted my personal development to a degree: they handled growth, relationships, death ("The Body" anyone?), fears, happiness, belonging, transformation, etc - all packaged in quick-witted parlay between the characters.
Unfortunately it has later emerged that not everything was well during the filming. In fact, things got downright creepy at times. While there is merit in looking just at the series in a detached fashion, I don't think it is the right way in the end. We need to consider also always how things are made, not just the end result.
But the series are still good.
P.S: I really, really liked the way Buffy took music as an integral part of the series. I don't recall very many shows from that time (or even later!) where music has made a serious impression on me - usually it's just background noise, but in Buffy, the score is at times quite profound. I might even call "The Bronze" as a series regular character. The theme continued on Angel, with Andy Hallett as the music-loving demon Lorne. So nice. Good opportunity for comedy as well as the calms between the storms.
Private comments? Drop me an email. Or complain in a nearby pub - that'll help.
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"Main" last changed on 10-Aug-2015 21:44:03 EEST by JanneJalkanen. |